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From Albany to NYC, Bravely Flying the Country’s First Airmail

Flying down the Hudson Valley, daredevil pilot Glenn H. Curtiss proved that long-distance flight could be viable.

by Reed Sparling
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What do Kitty Hawk, N.C., and the Hudson Valley have in common? Both played key roles in aviation history. Just seven years after Orville Wright’s first flight — which went 12 seconds and half the length of a 747 — Glenn Hammond Curtiss piloted a plane from all the way from Albany to New York City.

Curtiss not only set an American distance record, but also demonstrated the unlimited potential of air travel. As Rick Leisenring, curator of the Glenn H. Curtiss Museum in Hammondsport, N.Y., says, “It was a very big deal.”

A 35-cent U.S. airmail stamp featuring aviation pioneer Glenn Curtiss. (Photo: Shutterstock)

The New York World helped spark Curtiss’s record-smashing flight, offering $10,000 to any pilot who could complete the 152-mile journey before October 10, 1910. Two stops would be allowed, and it could be made in either direction. “There were a lot of big names shooting for the prize,” says Leisenring — Orville Wright included.

The 32-year-old Curtiss was a daredevil motorcyclist. He’d piloted the first publicly witnessed U.S. air flight in 1908 in his plane the “June Bug,” and won a $5,000 prize at an air meet in France the following year. He quickly took up the new challenge. “Everybody was waiting to see what Curtiss would do next,” says Leisenring.

He and his mechanics got to work building a biplane in his hometown of Hammondsport. A flimsy-looking assemblage of wire, bamboo, and steel, Curtiss called it a “monster violin.” He prepared for an emergency river landing: Beneath each wing, covered in rubberized silk, he placed sealed metal drums. Plus, along the fuselage he attached cork-filled bags sewn out of cloth to make hot air balloons. Essentially, it was the world’s first seaplane. 

Glenn Curtiss at takeoff from Albany. (Photo: Courtesy Glenn H. Curtiss Museum)

Curtiss came east to scout the valley and potential landing sites. (Believe it or not, Leisenring says, the man we’d consider a daredevil “was not a risk-taker.”) Because the winds favored a north-to-south flight, Curtiss opted to take off from Albany. In May 1910, the plane — eventually dubbed the “Hudson Flyer” and the “Albany Flyer” — was taken apart, crated up, and shipped to Albany. A German farmer rented him a field on Rensselaer Island there for $5. 

Curtiss tried to keep the pending flight a secret, to prevent other pilots from beating him to the punch. But it didn’t take long for the public to catch on. Hundreds of spectators thronged the makeshift airfield each day, hoping to watch the takeoff. A train chartered by the New York Times also was kept in constant readiness across the river; it had right of way, so photographers and reporters (as well as Curtiss’s wife, Lena) could keep up with the plane. 

“A locust springing from the sands”

For three straight days, bad weather scrubbed the flight. Finally, on Sunday, May 29, it cooperated. (Frustrated by the postponements, only 100 people showed up that morning to witness the takeoff.) Clad in fishing waders, a leather jacket, motorcycle goggles, and a cork life vest, Curtiss settled onto the plank that served as his seat. In a pocket he carried a letter of greeting from the mayor of Albany addressed to his counterpart in New York City — in essence, the nation’s first airmail.

G. H. Curtiss in flight with the aeroplane “June Bug” driven by a Curtiss Motor, Hammondsport, New York, July 4, 1908. (Photo: Public domain)

The propeller was given a turn and the adventure began at 7:02 a.m. “Like a partridge running to get its wings, and like the beating of wings of a partridge was the roar of exhaust from the pulsating engine,” reported the Poughkeepsie Daily Eagle. After takeoff, the paper’s account continued, “the suggestion of a partridge receded in the mind and one saw that in tenuity of gossamer surfaces and reedy anatomy this was a locust springing from the sands.” 

Curtiss flew up to 700 feet and leveled off above the middle of the river. At 7:33 a.m. he passed Hudson. As he flew over Catskill, its telegraph operator cabled: “Curtiss just went by here and he is gone, going like h – – -!” Lacking any controls, Curtiss relied on the flutter of his sleeve to gauge speed and the drift of chimney smoke to assess wind direction. As he approached Poughkeepsie at 8:20 a.m., he debated whether he should fly above or below the railroad bridge — today’s Walkway over the Hudson. He chose the former and landed minutes later at his planned stopping point (near today’s IBM plant on Route 9 in the Town of Poughkeepsie).

Curtiss had arranged to have fuel waiting, but the supplier was a no-show; perhaps he was chastened by a local pastor who chided Curtiss for choosing “the Lord’s day to make his spectacular flight, thus robbing God of his day.” Fortunately, passing motorists gave Curtiss the eight gallons of gas needed to top off his 10-gallon tank. After laying over for an hour, for his mechanics to check out the plane and to receive a kiss from Lena, he took off once more, barely missing cows startled by the engine’s roar. 

Lena Pearl Neff Curtiss. (Photo: Library of Congress)

“I thought it was all over

The most dangerous leg of the trip came at the northern entrance to the Hudson Highlands, which forms a giant wind tunnel. Curtiss rose to 2,000 feet to try to avoid the gusts, but they jolted the plane mercilessly, dropping it several hundred feet and nearly ejecting him. “It was the worst plunge I ever got in an aeroplane,” he later noted. “I thought it was all over.”

Curtiss tried a new tack — reducing his altitude to 40 feet. Another blast of air nearly pitched the plane into the water. He managed to pull up just in time. 

At West Point, cadets flocked onto the plain to salute Curtiss, whose thoughts turned to how easy it would be to drop bombs on them — the first suggestion of an aircraft’s military capabilities. Then, as he soared above the Tappan Zee and Palisades, he discovered he was leaking oil and would have to make an unscheduled stop. Just past Spuyten Duyvil, Curtiss spotted a long, grassy lawn. He touched down on it at 10:25 a.m., filled up with oil and gas, and took off on his final leg. Technically, he had won the prize since he’d already landed in Manhattan.

A vintage French postcard featuring an illustration of Glenn Curtiss, who was also celebrated in Europe, published in Paris circa 1908. (Photo: Paul Popper/Popperfoto via Getty Images)

Over those last miles Curtiss was hailed by tooting tugboats and waving masses who thronged rooftops. Over New York Harbor, he looped around the Statue of Liberty and dropped onto Governors Island at noon. All told, he had been airborne for two hours and 51 minutes. 

In addition to being a press sensation — the New York Times dedicated six full pages to the flight — this exploit “marked the birth of practical aviation in America,” according to Curtiss biographer C.R. Roseberry. “Up to then,” Roseberry continued, “flying had been more an experiment and a sport than an activity to be taken seriously. By achieving the first sustained flight between two major cities, Curtiss had…proved that an airplane might dependably start from here and go to there… The excitement kicked up by his deed triggered an outbreak of distance flights which stretched ever longer until they marked out the continental airways.”  

The Glenn H. Curtiss Museum in Hammondsport features a permanent exhibit about the Albany-NYC flight, as well as other fascinating artifacts from the aviator’s career. 

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Our mission is to immerse you in the storied history, fresh happenings, and coming solutions for making the Hudson Valley greener and more livable long-term.

Viewfinder is published by Scenic Hudson, the celebrated nonprofit credited with launching the modern grassroots environmental movement in 1963. With over 25,000 passionate supporters, Scenic Hudson’s mission is to sustain and enhance the Hudson Valley’s inspirational beauty and health for generations to come. Viewfinder supports that mission, because the better people understand what makes this place special, the more they will invest in protecting it. 

Keep up with the latest stories by subscribing to Scenic Hudson’s monthly digital newsletter, and connect with us on social via Facebook, Instagram, Twitter, LinkedIn, and Threads.

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Riley Johndonnell
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rjohndonnell@scenichudson.org

Lynn Freehill-Maye
Managing Editor
editorial@scenichudson.org 

Riley Johndonnell
Director Creative Strategies & Communications
rjohndonnell@scenichudson.org

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We’re always looking for ideas around our main topic areas of Climate Solutions, Land + Air + Water, Plants + Animals, History + Culture, Outdoors, and Community.
  • Journalists and writers who have deep familiarity with New York and the Hudson Valley, we’d love to have you contribute! Please do introduce yourself by email, sharing writing samples and any relevant pitches you may have.
  • Photographers and videographers, we’d love to hear from you and see what you do. Please send along a portfolio with images or footage that showcases your best and/or most relevant work, with an emphasis on anything captured outdoors. 
  • Illustrators, we commission artwork on the regular. Drop us a note with some of the beauty you’ve created.
  • Media Partners & Social Media Influencers, we welcome opportunities to team up on series and campaigns. Reach out with any background about yourselves and your ideas.
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  • We love to collaborate with media outlets, especially on episodic series (like these) of interest to our shared audiences. Past collaborations have included radio interviews, panel discussions and other events, original artwork, and e-blasts, all furthering the campaign’s excitement and reach. 
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